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Adabiyyat: Jurnal Bahasa dan Sastra

Adabiyyat
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Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta

ISSN : 25491482 EISSN : 25492047 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

AdabiyyÄt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal AdabiyyÄt adalah bahasa Indonesia. Jurnal AdabiyyÄt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.

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Articles 9 Documents

Search results for , issue "Vol 10, No 1 (2011)" : 9 Documents clear

ALIENASI RELIGIUS DALAM FILM PEREMPUAN BERKALUNG SORBAN Danial Hidayatullah
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

In Western literary tradition, alienation is a common theme. This theme has been identified since the Shakespearean era. Yet, in Indonesian literary tradition alienation is a novelty. This paper aims at analyzing the emergence as well as the significance of this theme in the Indonesian context. In Western context, alienation occurs within the absence of God or within the materialistic society while in Indonesian context, in this case in Perempuan Berkalung Sorban, it occurs in a strong religious atmosphere. The main character, Anisa experiences alienation caused by the interpretation of religion by patriarchal society. The psychological conflict between religious rules and free will is so intense that the main character is trapped in a deep confusion. Therefore this research is intended to examine how the religious alienation can be explained in Indonesian context. This paper provides the explanation on how this movie—Perempuan Berkalung Sorban—fits into the category of the movie that criticizes religion. The emergence of a new theme in a popular culture mainstream can be seen as a new awareness in Indonesian culture.

SEJARAH BALAGAH: ANTARA MA’RIFAH DAN SINĀ’AH Ibnu Samsul Huda
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

When the literary world enters the realm of scientific study, the arbitrariness and the infinity of expression, which is the main characteristic of literary work, should be evaluated based on an objective standard of science. Balagah, a literary theory born and developed in Arab, has also undergone a process of standardization of concepts and theories as other sciences. This paper describes the history of balagah from embryonic phase until it has been structured to be a science with a set of scientific theories. A historical approach is expected to be able to reveal historical facts related to the codification of balagah since the beginning of its existence until its latest development. The systematization and theorization of balagah had been done since there was a trend of translations of Greek philosophy into Arabic. The demand of scientific knowledge in Greek tradition greatly endorsed the theorizing of balagah. Standardization of the theory of balagah positively facilitates learners to understand the science of balagah and to have scientific accountability. However, the systematization of balagah has led this study to a static condition. In addition, the orientation of balagah is more in linguistic (syntax) area.Simak

PEMEROLEHAN FONOLOGIS PADA ANAK USIA 0—2 TAHUN R. Hery Budhiono
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

This research focuses on the acquisition of phonology. The aims of this resaerch are to provide a description of phonemes that have been acquired and its order and to give a brief description about subject’s language acquisition and development. The subject of this writing is a girl named Azmirainy Azizah who is also the writer’s first daughter. The form of the data, mostly, are utterances and dialogues and are taken with a camera-phone and also note-taking techniques. All data, then, are verified and paraphrased in its smaller form. According to the findings, the subject follows some universal rules in acquiring sounds: the contrast between bilabial and alveolar is first acquired, followed by the contrast between bilabial and velar sounds. The order in acquiring sounds is bilabials, alveolars, palatals, velars, fricatives, and laterals. The central-low vowel /a/ is acquired first and followed by the other vowels, i.e. /i/, /ε/, /u/, /ɔ/, /o/, /e/, and /ə/

KRITIK AL-HAKIM ATAS BARAT DAN TIMUR DALAM NOVEL ’USFUR MIN AL-SYARQ Uki Sukiman
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

The clash between Eastern and Western civilization has always been a topic of interest with various responses. Egypt is one of the countries, which has this response. This can be seen from Taufiq al-Hakim’s “Usfur min al-Syarq”. The scholars of modern Egypt thought have divided these responses into three groups: the conservatives, the Westernists, and the moderates. The conservatives tend to preserve the indigenous cultures. The Westernists try to westernize the indigenous cultures, while the moderates hybridize the culture. Through Abrams’ categorization, al-Hakim’s thought can be formulated in three developments. Firstly, the progress of those two civilizations has different directions. Each has its own advantages: the Western deals with earth and the Eastern with heaven. Secondly, the Eastern loses its identity if the Western dominates. Thirdly, al-Hakim hybridizes the positive sides of the two poles.

SEJARAH PRA KEMUNCULAN NOVEL ARAB Moh. Wakhid Hidayat
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Novel (riwayah) is categorized as a genre of modern Arabic literature. The birth of this genre has something to do with the revival period of Arabic in general. Yet the pre-natal of this new genre in Arab world is left undiscussed. This research aims at disclosing the birth of Arabic novel. It is found that Egypt has been the center of the labor of this genre. Its pre-natal period is marked by the translation of the Western literature and the resurrection of the genre of maqamah. There are some arguments on the situation and condition of the pre-natal of the Arabic novel. First, it was imported from the west. The second argument is that novel is indigenous genre, and the third is that novel is rooted from both classical Arabic and modern Western world.

REPERTOAR STRATEGI PENGEDEPANAN PASCAMODERNIS DALAM NOVEL ASMARALOKA Pujiharto Pujiharto
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

One Indonesian novel which shows a new feature is Asmaraloka, written by Danarto. The aim of this article is to show the novel’s dominant characteristics on which the new feature is grounded. Based on the concept of foregrounded strategy of repertoire by Iser, I conclude that Asmaraloka presents some dominant characteristics of the ontological theme or the mode theme of the existence of the world. The modes of the existence of the world can be observed in the novel in that there are (1) boundary vagueness between the world of man and angel, (2) boundary vagueness between the world of man and the world of animal, (3) boundary vagueness between the world of man and the world of plant, (4) boundary vagueness between the world of man and the world of world objects, (5) boundary vagueness between the world of man and the world of animal, plant, and world object, (6) boundary transgression between the world of man and the world of Satan, (7) boundary vagueness between the world of man and the world of fairy tale, (8) emergence of the afterlife, (9) inserted zone, (10) the fight between the world of angel and the world of Satan, and (11) the dialogue between the angel with parts of human body. By revealing the diversity of the mode of the world, Asmaraloka presents plurality of the world.

MAKNA SIMBOLIK GENDHING PATALON DALAM PERSPEKTIF RELIGIUSITAS ISLAM Purwadi Purwadi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

This research aims to describe gendhing patalon in Wayang (shadow puppet) Purwa related to the context of Islamic teachings. Hermeneutic method and theory are employed to explore this study object. Wayang Purwa is Javanese manifestation of collective reflection and contemplation, tafakur and tadzakur. Wayang Purwa, with its artistic values, has spiritual education or al-tarbiyah al-rabbaniyah and morality concepts or al-akhlaq al-karimah. The dalang (puppet master), wiyaga (gamelan musician) and waranggana (gamelan choir) believe this gendhing was created by Walisanga (the nine Islamic pioneers in Java). Dalang, with his central position in the show of Wayang Purwa ought to teach his audience to do righteous deeds or amal shalih. The sacred Gendhing patalon conveys a religious atmosphere, which gives mystical experiences to its audiences. By seeing the performance, the audience is expected to get the idea of the self essence - rasa jati or makrifat. It is called wikan sangkan paraning dumadi or ‘knowing the highest truth’. Wayang Purwa plays its role for young generation in moral education, character building, and national identity in this global era. Problems of life as well as the nation can be solved by local wisdom approach.

WAJAH PURITANISME DALAM DRAMA MOURNING BECOMES ELECTRA KARYA EUGENE O’NEILL Fajar Setiawan Roekminto
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

It’s impossible to discuss American literature without mentioning Eugene O’Neill, including his renowned drama Mourning Becomes Electra (MBE). MBE is a drama that describes a Puritan family called the Mannons. The main characters in MBE live in a strict and severe Puritan society. Both the Mannons and Puritans establish a family and community on the same principles, the belief in covenant, a tenet that is taught by John Calvin. They also have the same dream about a new land, New Jerusalem for Puritans and Blessed Island for the Mannons. The article aims at disclosing the constricting Puritans society in New England and the cruelty of the central characters in MBE. In addition, the way in which Eugene O’Neill creates tragic characters at the end of the drama can be related to the decline of Puritanism. Goldmann’s sociology of literature is applied as an approach. The imaginary structure between an aesthetic and history—MBE and Puritan society—is discovered. The Mannons in MBE and Puritans in New England have similar attitudes. Both are cruel because they desire to be in power and control economic fields. The efforts to realize the dreams are challenged by other communities and it marks the beginning of puritanical decline in New England and the death of central character in MBE. The tragic visions of the Mannons and puritans guide them to death and fall.

INTERFERENSI PENGGUNAAN NAMA DIRI BERBAHASA ARAB DI INDONESIA (Sebuah Kajian Sosiolinguistik) Ubaidillah Ubaidillah
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

A Proper noun is a lexeme that is used to name persons, places, and certain objects. There are many proper nouns within Arabic lexemes which are used in Indonesian personal names. However, there are interferences of Indonesian language in the use of the proper nouns. This paper aims to describe several of those interferences and the influencing factors. The method used in this research is the method of translational equality because this analysis concerns two different languages. The result of the analysis shows that differences of phonological system of Arabic language and Indonesian language influence these interferences. For example, Hanif is pronounced Kanif; Munif is pronounced Munip; Rofa'i is pronounced Rofangi, etc. In addition, lack of understanding in using Arabic original phonemes in some communities influences the transliteration of the Arabic to the Latin letters.

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